Making Of: The Wide Awake Press FLUKE Anthology

A few years back Wide Awake Press published the "annual" FLUKE anthology.  Here is a little video telling the tale of its creation.  This is where I learned the art of constructing a massive minicomic.

Comic Reviews: Delilah Dirk & Fairy Tale Comics

Delilah Dirk & The Turkish Lieutenant

She first causes his execution and then saves his life.  To repay that debt Selim the mild-mannered Turkish Lieutenant joins firecracker Delilah Dirk on her adventures, and thus a partnership is started on page 30 and they (and the reader) are off and running at breakneck speed on an adventure that sits squarely at the crossroads of Indiana Jones, Tomb Raider, Moonlighting, the Hope/Crosby Road movies, Buffy, and Robin Hood.  

In a wonderful inversion of the normal roles Delilah is the skilled thief who acquires a diamond-in-the-rough distressed damsel sidekick in the form of Erdemoglu Selim who prides himself on his ability to make great tea.  They steal treasure, are pursued, lose treasure, steal more treasure, and each comes to the conclusion by the end that the greatest treasure is the adventures themselves.  The story such as it is exists only to move along our “heroes” from one adventure set piece to the next.  While the pace may be fast author Tony Cliff still manages to sneak in enough character bits to give us fully fleshed out characters and not just cyphers.

Lately it seems to me that the big two are putting out nothing more than complex cross-connected stories you need to have read the last five years of continuity to understand.  And the violence, blood, and language would rate at least a PG-13 rating on the big screen it is nice to find a self-contained, fun book suitable for all ages.  This is a summer blockbuster of a book and I mean that in the nicest possible way.  And speaking of younger readers…..

Fairy Tale Comics

“The reason we have smaller numbers of comics readers is because we don’t have any comics for kids.“  How many times have you heard this?  Despite what you’ve been told there are comics for kids, you just have to look a little harder to find them.  And if you did find suitable titles what kind should they be to hook the little rugrats and breed a whole new crop of readers?  My suggestion would be to take a bunch of stories that should be familiar and put them in a comic format that is perfect for parents to read to their kids before bed.  And better yet let’s make it an anthology with a whole bunch of great artists such as Jaime Hernandez, David Mazzucchelli, Craig Thompson, and Emily Carroll to do the adaptations.  First:Second Comics editor Chris Duffy must have had the same thought because he did just that when he put together Fairy Tale Comics.

As a comics reader myself I realize that I have to do a lot of the work for the comics companies to help grow a new generation.  And obviously a book called Fairy Tale Comics isn’t written for someone in his late 30’s so I decided the only way to see how good it really was meant reading it to my 5 year old and over the space of a week we read one story after another.  Did he enjoy every story?  No, but he enjoyed many of them and by the time he was done he was asking me to reread some of them.  Basically what I witnessed was the beginning of a new comics reader and I can’t give a title a better endorsement than that.  If you have children find this book and buy it and share it, it really is that good.

Review: Amelia Earhart: This Broad Ocean

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I began writing this review April 29, 2011 then a bunch of stuff happened.  I made it as far as the first 2 paragraphs.  I’ve completed it just now and I feel the exactly the same.

I don’t usually write reviews for the Dollar Bin.  I tend to convey my opinions on the audio recordings.  However, after I finished reading the Eisner nominated  Amelia Earhart:  This Broad Ocean by Sarah Stewart Taylor and Ben Towle I just had to get my thoughts and emotions out now, so here I write.

I want to start by telling you that multiple times through my reading experience I felt my whole body well up with emotion.  I found myself just grinning and tearing up all at the same time.  (Did I mention I was reading this in the middle of a crowed restaurant?  Well I was and the threat of out-pouring emotions was a little embarrassing.)  Ben Towle has the incredible ability to give characters with simple black dot eyes the most amazing range of expression.  I truly felt every bout of anxiety, moment of anticipation, and glimmer of hope along with Amelia and the rest of the cast.  Even has I flip through the book to write this review I keep catching myself grinning as I scan the panels.

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Sarah Stewart Taylor’s tale of Amelia Earhart as told through the eyes of the young Grace Goodland, writer of the self published local newspaper, The Trepassey Herald,  couldn’t have been told any better.  Grace is a pioneer of her own merit and is the perfect conduit to relay such a powerful example of hope and inspiration.  Her story is both informational and encouraging.  The scenes depicted as the tale is told are well paced and so full of hope and wonder.
Speaking of pacing, the pacing is so perfectly purposeful.  Each page is exactly where it needs to be and displays exactly what it needs to show.  Mainstream comic creators should take note of what a meaningful splash page looks like.  There are plenty throughout this book and each is a functional, artistic masterpiece (I may be laying it on a little heavy here, but I do love them so).  I hear Jason Lutes is much responsible for the visual pacing and breakdown translation from Sarah Stewart Taylor’s prose style to the sequential art brought to us here by Ben Towle and for that I thank him.

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I remember Towle working on the pages of Amelia Earhart:  This Broad Ocean and posting progress on his blog.  I remember reading each post and building up anticipation as the release date drew closer.   I remember purchasing the book at the first chance I received.  I remember it sitting on my book shelf for months unread.  But, most of all I remember reading each page and every feeling it gave me.  I can’t say this for a lot of books, but I remember where I was when I read it.  I remember how it made me feel.  I remember closing the cover, clasping my hands, shitting my eyes, and taking it all in.  I remember immediately flipping through it again staring at wonder at each page.  I remember feeling the need and the drive to write a review.  Seven months later I remember every bit of that story and I want to read it, here and now, all over again.